Paulus Reviews

Paulus by Guest User

HowlRound
By Dani Snyder-Young
November 20, 2013

Paulus’s core message of inclusivity—that ethnic origins shouldn’t matter—resonates in a contemporary American context valuing multiculturalism. Of course salvation should not be exclusively reserved for just one ethnic group. Of course everyone should be able to participate in a (now-mainstream) monotheistic belief structure, regardless of ethnic origins. Of course Greeks, Egyptians, Romans, and Jews should be treated as equal.

Read More

Offbeat: Silk Road's world premiere Paulus a fascinating blend of faiths by Guest User

The Times of Northwest Indiana
By Phil Potempa
November 18, 2013

As involved and detailed as the subject matter might sound, Silk Road Rising masterfully presents this play by Motti Lerner, neatly served up in two hours, including a 10-minute intermission, while seizing the hearts, minds and souls of the audience by way of a talented cast under the direction of Jimmy McDermott.

Read the Full Review

Read More

Paulus by Guest User

Around the Town Chicago
By Alan Bresloff
November 17, 2013

Silk Road Rising is one of my favorite troupes. Written by a Jewish Atheist, we look at the Messiah and what he might have been had his life gone longer than that which is written and taught. Both of our “heroes”, Jesus and Paul are of the Jewish faith, each hoping to save their people from what might happen to them and to somehow unite their people to believe in the same teachings. Was Paul attempting to complete Judaism, making it the perfect religion? Or was he seeking a way to unveil a new religion that altered what was in the original 613 Commandments? Daniel Cantor was a powerhouse as Paulus. Nero was deftly handled by Glenn Stanton and the two ladies, Dana Black and Carolyn Hoerdemann were as stunning as they were believable. The original music (Peter J. Storms) is unique.

Read More